Provenance and Traceability

We respect the past but don't live in its shadow. We believe in innovation and progress, while striving to create intriguing spirit - a spirit with flawless integrity and provenance. We are curious and restless - we never leave well enough alone. Pathfinders where angels fear to tread.

We believe that Islay whisky should have an authenticity derived from where it is distilled and where it is matured... from the philosophies of those who distil it. A sense of place, of terroir that speaks of the land, the barley, the water and the human soul  that gave it life.

There are many who would see whisky distilling as an industrial process – a means of standard manufacture and nothing more. We understand distilling to be an ancient art, one that has intrigued the human spirit for centuries. A black art, a mysterious and enigmatic alchemy, that explores the very depths of the distiller’s soul.

There was a time, not so long ago, when we would know where our food and drink came from and what was in it.

Provenance, from the French provenir, “to come from”, means the origin, or the source of something. Traditionally a simple concept, but one that, in this modern world of globalisation, market forces and process efficiencies, is becoming increasingly vague and complex.

It is these insidious dynamics that gave us Watney’s Red Barrel in the 1970s (UK drinkers of a certain age will remember the product only too well, and shudder) and now we have “French” Kronenbourg brewed in Reading in tanks alongside “Australian” Fosters; “Japanese” Kirin brewed in Bedford alongside “Jamaican” Red Stripe and that most “Belgian” of beers, Stella Artois, brewed adjacent to the M4 motorway in South Wales.

But surely Scotch could never go the same way?

Already the major Islay distilleries ship the bulk of their spirit to the mainland to mature – not in the romantic loch-side warehouses that they evoke in their marketing

Already the major Islay distilleries ship the bulk of their spirit to the mainland to mature – not in the romantic loch-side warehouses that they evoke in their marketing, but in massive industrial sheds in the Lowlands.

The same is true of the rich universe of symbols and mythology with which Scotland and the single malt category is saturated. The reality is that many icons of traditional Scottishness are in fact more recent inventions, what have been called the “misconceptions and exaggerated romanticisation (sic) brought about, in the main, by Victorian 'rediscovery’". This very creative re-engaging with Scottish myth was largely fuelled by George IV’s visit to Edinburgh in 1822, which itself was organised and choreographed by the highly romantic Sir Walter Scott; a man with no small commercial interest in the reinvention of Scottish myth and legend.

Dr Karl Spracklen, of Leeds University says in his academic paper, “Dreaming of Drams: Authenticity in Scottish Whisky Tourism…”:

We look to reinstate this vital link with place. To show the intimate connection between place and time, man, history and land

"Scotland and Scottishness are seen by the tourist as being made authentic through the mediation of the global brand and its relationship to heather, highland kilts, clan tartans, bagpipes, haggis and mountains. There is no other Scotland, no place that offers more authenticity, which we can experience.

"All the tourist sees is the mediation of myth and the mythology of the authentic; unless the tourist is able to view the Experience through the lens of some supposedly ironic, postmodern gaze, in which case the sham of the experience is embraced and loved for its kitsch value. This postmodern gaze, of course, is itself a product of postmodernity and postmodern culture: when all things are fake, the fakes become real."

When all things are fake, the fake becomes real.

In this Disneyfication of single malt Scotch whisky, the origins of the spirit, its heritage, its true story and its connection with place and people are increasingly lost – the marketing spin creates a disconnect with the whisky's roots – cultural, social and geographic.

This is the difference between an industrial product and an artisan, organic whisky. We look to reinstate this vital link with place. To show the intimate connection between place and time, man, history and land. To express individuality, to explore the complex nuances and possibilities afforded by hands-on, patient, slow, artisan distilling, coopering and maturation.

The same is true of our category-leading support for organic farming. A modern idea? Hardly – this is how all farming was once carried out. Here on Islay, farmers would collect seaweed from the seashore to fertilise the soil; they would know from the phases of the moon and an eye to the Atlantic weather systems when to sow, when to harvest.

Today spent barley (draff) from our mash tun still feeds the cattle, their manure spread on the fields, the fields enriching the malting barley grown for Bruichladdich – a pragmatic and virtuous cycle that would have been intimately understood by our forefathers.

We know our farmers by name and by face; they are our partners rather than suppliers and we share with them the vicissitudes of the year in the field as their harvests – our raw ingredient – grow to maturity. And unlike many "Scotch" whiskies our barley is 100% Scottish grown, and where possible, that barley is also grown right here on Islay – we can see it from our distillery windows.

That is what we mean by provenance - the ultimate traceability of our natural ingredients; our Islay Barley spirit is the product of a single vintage, from a single farm - the ultimate expression of Islay terroir.

We are proud to be progressive, Hebridean distillers.

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