We respect the past but don't live in its shadow. We believe in innovation and progress, while striving to create intriguing spirit - a spirit with flawless integrity and provenance. We are curious and restless - we never leave well enough alone. Pathfinders where angels fear to tread.
We believe that Islay whisky should have an authenticity derived from where it is distilled and where it is matured... from the philosophies of those who distil it. A sense of place, of terroir that speaks of the land, the barley, the water and the human soul that gave it life.
There are many who would see whisky distilling as an industrial process – a means of standard manufacture and nothing more. We understand distilling to be an ancient art, one that has intrigued the human spirit for centuries. A black art, a mysterious and enigmatic alchemy, that explores the very depths of the distiller’s soul.
OREGON PINE WASHBACKS IN THE TUN ROOM
THE ORIGINAL BOBY MILL, 1881 IS STILL IN USE TODAY
MUCH EQUIPMENT DATES BACK TO 1881 WHEN THE DISTILLERY WAS BUILT.
JIM MCEWAN AND PG MCCUAIG IN THE TUN ROOM
SKILLED FOUNDRYMEN RECENTLY RE-CAST THE RAKE SYSTEM IN OUR MASH TUN
THE STILL HOUSE
DESIGNED BY ROBERT HARVEY, A THEN A 23 YEAR OLD ENGINEER, BRUICHLADDICH DISTILLERY WAS RADICALLY AVANT GARDE IN 1881.
Bruichladdich distillery was built in 1881 by the Harvey brothers. The Harveys were a dynastic whisky family with over a century of distillery ownership, including Glasgow’s Yoker and Dundas Hill distilleries. The three brothers decided to combine their expertise to build a third Harvey distillery: Robert (23) designed it, John (31) had the distilling experience, and William (32) had the money.
The catalyst was the invention of the Glasgow Puffer, a flat-bottomed, steam boat that revolutionised bulk commodity shipments around the wild seas of the west coast. Barley could now be imported to supplement the island’s limiting acres. And coal, a vastly more efficient fuel than peat to run stills. Both commodities transformed the economics of distilling.
Inspired by youthful enthusiasm, whisky heritage and entrepreneurial flair the brothers set about creating a revolutionary new type of distillery
Inspired by youthful enthusiasm, whisky heritage and entrepreneurial flair the brothers set about creating a revolutionary new type of distillery. Until then, Islay’s distilleries had evolved from small farms, where talented clandestine distillers replaced their cattle in their byres with stills.
Bruichladdich was to be the very antithesis of an Islay farm distillery. This was to be a cathedral-like still house that (unlike their croft and farm equivalents elsewhere) enveloped 6m tall stills designed to produce the purest spirit possible. Using concrete, a newly-patented building material, this was a modern, purpose-built distillery, ergonomically laid out around a central courtyard for efficiency, and on a gentle slope to exploit gravity – a state-of-the-art Victorian distillery.
The testament to their vision is that today the distillery is exactly the same as Robert designed it, and with most of the original machinery still in use
Robert’s inspirational design was built to an exceptionally high standard: “a solid, handsome structure”; beautiful in its simplicity, with “all parts of the distillery rated in correct proportion to each other”. Several of the Harveys' progressive innovations were later taken on by the rest of the industry. The testament to their vision is that today the distillery is exactly the same as Robert designed it, and with most of the original machinery still in use.
Broad, saddle-leather belts drive the arcane Boby mill*, elevators and barley weighing machines with their hypnotic musical rhythm. The glorious open-top mash tun (mash is believed to be a corruption of maceration) is the biggest of the three still in use in Scotland. Like a giant porridge, barley mixes with soft Islay water in a devil’s cauldron. Unlike much of today’s industrialised whisky processes, this is a slower, more gentle way of extracting sugars from the grist. It takes time to mash at Bruichladdich the original way; there is no short cut.
Fermentation, too, is slow. The original huge vessels (washbacks) made of towering Douglas Fir are the ultimate in the cooper’s art. As the great winemakers discovered, for ultimate purity, wooden vats are best: wood absorbs heat generated during the alcohol creation, allowing a longer, slower, more gentle fermentation than steel. Many of the whisky's complex flavours are created in these old wooden vats, so we take our time to get it right.
The French have a culinary saying: “it is in the oldest pots that the best soup is made”. We tend to agree.
*The Boby mill is the most precision piece of kit in the set up. We can regulate the crushing rollers with an astonishing degree of accuracy so that each variety of barley, each terroir's produce, each harvest can be milled to precise tolerances. It was refurbished by the only man in the country with the expertise to do so, two weeks before he died.